Movie Review: Silver Linings Playbook

Bradley Cooper and Jennifer Lawrence

Silver Linings Playbook (2012)
Written and directed by: David O. Russell
Starring: Bradley Cooper, Jennifer Lawrence, Robert DeNiro and Jacki Weaver

Like the screwball films of the 1930s -- after which Silver Linings Playbook is styled -- the jam-packed script of director David O. Russell's latest oddity is rife with loose narrative threads that all ultimately tie together neatly in the end.

A festival darling, winning the People's Choice Award at this years Toronto International Film Festival, Silver Linings Playbook has received overwhelming support in critics circles. Applauded for its unique quirkiness, the film is based on a novel by Matthew Quick and manages to balance its darker themes with moments of levity.

When Pat Solitano (Bradley Cooper) is released from a mental health facility he returns to his childhood home to live with his parents (Robert DeNiro and Jacki Weaver). Diagnosed as bipolar, Pat was hospitalized after discovering his wife in the shower with a work colleague and nearly beating the man to death. After countless therapy sessions, Pat has learned to rein in his mood swings and bouts of violent rages -- for the most part. Pat wants to be reunited with his now-ex-wife and vows that nothing will stand in his way, including a pesky restraining order. He believes a reconciliation with his wife is his "shot at a silver lining", as he often says. When his old friends (John Ortiz and Julia Stiles) invite him over for dinner one night to celebrate his homecoming Pat is introduced to Tiffany (Jennifer Lawrence), a young widow with personal issues of her own. As the two bond over medications and moments of depression, the two recognize a spark and embark on a rocky friendship that involves Pat trying to win back his ex-wife and a high-stakes ballroom dance competition.

In a rare dramatic lead role, Cooper has established himself as a fine actor and more than just another pretty Hollywood face. His mature performance as Pat carries a large portion of the emotional heft in the film. He even works through the melodramatic bits to create full-fledged character living on the brink; a man trying to thread his life together.

However, as solid as Cooper is in the lead role, the film greatly benefits from the standout performance of Lawrence as the grieving widow. Playing a character much older than her actual 22 years, Lawrence instills Tiffany with complex emotions that are just brimming beneath the surface. She's liable to just go off at any moment, but Lawrence brings a touching fragility to her sharp-tongued incarnation of Tiffany. She's just as lost, in not more so, than Pat. If there is one thing you'll remember after watching Silver Linings Playbook, it's her bold performance.

In a supporting role, Robert DeNiro is back in top form, portraying Pat's football-loving father who suffers from obsessive compulsive disorders but who loves his family, no matter how dysfunctional. And Jacki Weaver gives a lovely performance as the family matriarch who just wants her loved ones to be alright.

Where the film suffers at times is in its meandering plot. There are moments when the narrative struggles to stay afloat on a very thin premise. But, thanks to a cathartic, albeit cliched, ballroom dance finale, Russell's film manages to straddle multiple genres while telling an intriguing, emotional story. Despite some issues with the script, Silver Linings Playbook is an actors film, one that allows them room to breath and create unique characters that pull you into the story.

FINAL GRADE: B+

Movie Review: The Fighter

The Fighter (2010)
Starring: Mark Wahlberg, Christian Bale, Amy Adams and Melissa Leo
Directed By: David O. Russell

The title suggests there is only one fighter, but David O. Russell's film is centred on two brawlers -- one an up-and-coming star, the other a crack-addicted one-hit wonder. Most will understandably assume it's Mark Wahlberg's Mickey Ward who is the fighter of the title; however, it could just as easily refer to Christian Bale's Dickie Eklund, who must battle his demons to regain the respect he lost when he became a drug addict and faded from the boxing scene.

Based on a true story, the film is set in 1993 when Mickey is on the verge of becoming a boxing superstar in his own right. Holding him back is his manager mother, Alice (Melissa Leo), and his half-brother, Dickie, who enter Mickey into mismatched bouts that bring more physical pain than career gain. Dickie famously beat Sugar Ray Leonard in a 1978 fight that, even in 1993, remained controversial. Did Dickie actually outbox his famous opponent or did Sugar Ray simply trip and lose his footing? Still remembered as "the Pride of Lowell," the now-drug addled Dickie relives his brief former glory through his younger brother's rising star. It isn't until Mickey meets feisty bartender, Charlene (Amy Adams), that he begins to question whether or not his family might be toxic and preventing him from reaching his full potential.

This is Wahlberg's third go-around with director Russell (following 1999's Three Kings  and 2004's I Heart Huckabees). Wahlberg, a dependable actor, does his best work with Russell. However, both actor and director are aware of the talented cast around them and, instead of Wahlberg going all out in the drama department, they let the supporting cast shine through. The story may be about Mickey, but he faces stiff competition from the fascinating slew of characters that walk in and out of his life.

Christian Bale leads the pack of supporting characters with his shocking physical and emotional transformation into Dickie Eklund. Bale lost an incredible amount of weight (although, it should be noted, not as much as he lost in 2004's The Machinist). He also thinned his hair (complete with bald spots) and dirtied his teeth to fully embody a man who still fancies himself the town's celebrity figure. His crack addiction is the worst-kept secret in the neighbourhood, but there's no denying the talent he once had, which is still evident as he trains his brother, Mickey. Dickie is both comic relief and a tragic character. Bale is almost scary-good with his black-rimmed and haunted eyes. You forget he's Christian Bale. His complete transformation into his role is admirable when compared to other actors who simply phone in their performances. Say what you will about Bale and his hot-headed temper, but the man is a genuine artist and he just might finally get that elusive Oscar this year.

In a handful of boxing movies, the women play background characters: The Girlfriend. The Wife. The Mother. While relegated to the background, they show up only to provide brief emotional support or get punched around themselves. Films about boxing tend to only be about men. In The Fighter, the women are just as strong, fascinating and hardened as their male counterparts.

Amy Adams once again proves that, if she stays away from lame rom-coms, she can be an exceptional actress. Her role as Charlene is strong and fierce; she's not a woman to be messed with and she wants nothing but the best for Mickey, even if that means convincing him to detach himself from his family. Her violent physical tilts and war of words with Micky's mother and seven sisters make for some of the best scenes in the film. She might be heading towards yet another Oscar nomination this year. In a recent interview with David Letterman, both Dustin Hoffman and Robert DeNiro cited her as their favourite young actress working today. With friends like that in her corner, Adams should remain focused on starring in well-made cinematic gems.

Last, but not least, Melissa Leo is trashy and fabulous as Mickey's mother, Alice. With her horrifically permed and bleached hair, constant chain-smoking and stiletto heels, she's a force to be reckoned with and she doesn't let anyone forget that her two sons are her main source of pride and joy. Bale, Adams and Leo are all nominated for Screen Actors Guild Awards and Oscar kudos are likely to follow.

The camera work is exceptional: you are literally placed in the middle of both Mickey's battles inside and outside the ring. Whether it's a boxing match against a formidable foe or a verbal battle with his head-strong mother, the camera chronicles the events as though recording a documentary. You feel every punch and every verbal blow.

FINAL GRADE: B+