Movie Review: Ted

Ted (2012)
Written & Directed by: Seth MacFarlane
Starring: Mark Wahlberg, Mila Kunis and (the voice of) Seth MacFarlane

Given the enduring popularity of TV's Family Guy and its creator, Seth MacFarlane, it was inevitable that the comedian would eventually make the leap from the tube to the big screen. With Ted, MacFarlane writes and directs his debut feature with mixed results.

When John Bennett (Mark Wahlberg) was a child he made a Christmas wish that his favourite teddy bear would come to life and be his friend in real life. Easily the loneliest boy on the block, John is thrilled when his wish comes true. Now in his mid-30s, John is a slacker who spends his days smoking weed, watching Flash Gordon reruns and trash-talking with his foul-mouthed bear, Ted (voiced by Seth MacFarlane). Even John's incredibly patient girlfriend, Lori (Mila Kunis), has reached her limit and wants him to make a choice: Her ...or the teddy bear.

Fans of MacFarlane will undoubtedly leave the theatre satisfied -- the flick is as crass and vulgar as any Family Guy episode, only times a hundred. Ted may look like a cuddly children's toy but he has no filter, spewing out raunchy one-liners and thumbing his nose at political correctness. While some jokes hit their mark, there are those that fall far short of the target -- behaving badly doesn't always equal laughs.

Those uninitiated in MacFarlane's particular brand of humour are still bound to find some moments amusing -- although the majority of the best lines can be found in the movie's trailer. While Ted does have its laugh-out-loud moments, for the most part it's a bunch of haphazard comedy vignettes, centred around a talking teddy bear -- a narrative that eventually wears out its welcome. It's thin premise only carries the flick so far, as evidenced by a random, tacked-on, unfunny kidnapping subplot involving a creepy Giovanni Ribisi in the latter half of the film that threatens to collapse the whole flick.

If there's anything keeping Ted afloat, it's the effortlessly energetic charm of Mark Wahlberg. There's something to be said for watching an actor have a great time in a particular role. Ted is a welcome departure for the action flick vet who knows how to sell a one-liner and generate his own laughs -- with or without the help of his little bear friend. Using his natural Boston accent, Wahlberg nearly steals the movie right from under Ted's fuzzy feet.


However, in the end, Ted tries too hard to shock the laughs out of its audience with its excessive (and ultimately redundant) attacks on everything from bullied,overweight children and the gay community to "kid cancer." By the end, you may be a little worn thin from the constant barrage of rapid-fire pop culture references. 


Perhaps Ted would have worked with a shorter running time (or half hour television episodes?). And, while it does have its fair share of laughs, this bear does better in small doses.


FINAL GRADE: C+

Black Swan (2010)

Starring: Natalie Portman, Vincent Cassel, Barbara Hershey, Mila Kunis and Winona Ryder

Directed By: Darren Aronofsky

We've seen films that have been focused on a protagonist's descent into madness before. But it's never been done quite like director Darren Aronofsky's film, Black Swan.

This was one of the few films I was excited about this year -- from the moment I first saw the trailer, I couldn't wait to see how the two duelling halves of a ballet dancer's mind would pan out under Aronofsky's direction. There's always this reluctance when I'm really excited about a film -- I always wonder if it will live up to the hype and the greatness of its trailer. Thankfully, Black Swan lives up to its rave critical reviews.

This is a very difficult movie to review without giving everything away. For a lack of a better word, the film is completely demented. It's bizarre, twisted, over-the-top and, at times, downright campy. That being said, I loved every minute of it. It's a breath of fresh air amidst the sequels, prequels and romcoms that usually fill the cinema's around this time of year.

What it all comes down to, though, is the performance by Natalie Portman. Without her, Black Swan would have lost a large portion of what makes it work so well. As young dancer, Nina, Portman is so convincing in her role that you literally feel you are witnessing an actual nervous breakdown. Nina works though her gruelling auditions in an attempt to convince both herself and her director, Thomas (Vincent Cassel), that she can convincingly portray both the ethereal and graceful white swan, Odette, and Odette's dark, sexual and possessive counterpart, Odile, the black swan, in the company's upcoming production of Swan Lake.

I've always found Portman to be a little hit or miss, as an actress. It's hard to believe the same woman who struggled through the Star Wars prequels is now the lead contender for Best Actress in this years Oscar race. Her delicate, innocent and almost childlike portrayal of Nina is heartbreaking as she awkwardly struggles to find her darker, sexualized self. Portman effectively portrays both the light and dark within Nina and, most surprisingly, does a lot of her own ballet dancing in the film. I have nothing but the utmost respect for actors who immerse themselves in research for their roles and it's clear that Portman spent a lot of time preparing for her greatest role yet.

Nina lives in a world of pink pyjamas and teddy bears (her mother, played by Barbara Hershey, still tucks her in at night) in an attempt to move past her dark past of bulimia and a scratching disorder. But with the mounting pressures of the upcoming Swan Lake production and the vicious taunting by Thomas, backup dancer Lily (Mila Kunis) and former ballet queen, Beth (Winona Ryder), results in Nina's violent, sexual and dark hallucinations. Her dark swan is struggling to break through it's pure white exterior.

The Toronto Star movie critic, Peter Howell, made a good point when he said that Aronofsky tends to take one intense main performance (as he did most recently with The Wrestler) and "frames it within an unyielding study of an obsessive pursuit."

The supporting cast holds up well considering the focus is almost entirely on Portman. I only wish we got to learn more about Cassel's Thomas in terms of his motivations and treatment of Nina.

Overall, this exciting and odd little film has not only one of the strongest female performances of the year but it's also visually beautiful and the dancing is incredible.

FINAL GRADE: A