Movie Rant: My Favourite Films of 2011

Michael Fassbender and Carey Mulligan in Shame

Another year has come and gone and, like every other film fan on the planet, I've decided to compile a list of my favourite films of 2011. Going through reviews from the past year, I realized that I hadn't seen enough truly great films to make a list of 10. So, instead, I'll have to settle for a list of eight.

Keep in mind I haven't seen the following films (some of which likely would have made the list had I seen them on time): The Descendants, The Adventures of Tintin, Tinker Tailor Soldier Spy, A Separation, Albert Nobbs and Warrior.


My Top 8 Films of 2011
1) Shame
Controversy over its explicit rating aside, Shame is a close study of the isolating nature of addiction -- that gradual separation from the tangible and the emotional. Some of the most revealing scenes in the film are often the ones with little or no dialogue and Michael Fassbender's performance is nothing short of astonishing. Shame will stay with you long after the final credits.


2) The Artist
It's a vibrant and richly texualized film. Although the idea may not be new and some may argue that the premise itself is a bit of a gimmick, it's an undeniable crowd-pleaser and a beautiful one at that. With its two charming leads at the centre, The Artist is, above all, a love letter to cinema's past.

Jessica Chastain in The Tree of Life

3) The Tree of Life
Audiences and critics alike will be hard-pressed to come up with a list of other films that are as ambitious, unique and full of meaning as Terrence Malick's latest. The Tree of Life is a bit of an enigma -- an often puzzling, yet incredibly powerful, film that deals with love, loss, death, nature and the universe. Without a linear narrative, the film includes long interludes of vivid cosmic and prehistoric visions. Spiritual and artsy, The Tree of Life challenges mainstream ideas of what a Hollywood film can achieve.


4) Hugo
One of the most visually beautiful films of the year, Hugo wraps you in a blanket of movie passion and nostalgia. Led by a wonderful ensemble cast, Martin Scorsese has created a haunting, yet whimsical, ode to the original pioneers of film.


5) Moneyball
There's no denying the long love affair that American cinema has had with the game of baseball. Moneyball is the best sports films to be released in years as it delves into the behind-the-scenes drama and inner workings of what it takes to build a winning team. Thanks to Brad Pitt's greatest performance to date, Moneyball reminds us that, despite the abundance of riches in professional sports, there are those who really do care -- for love of the game.


6) Martha Marcy May Marlene
Writer-director Sean Durkin has crafted a compelling debut feature that is ultimately a fascinating commentary on familial ties and paranoia. Elizabeth Olsen gives the kind of breakthrough performance that most up-and-comers can only dream about. She's quietly devastating and she makes it impossible to look away.

Michael Shannon and Jessica Chastain in Take Shelter

7) Take Shelter
With its slow-burning narrative, Take Shelter is a quietly unsettling indie hit that is more character study than apocalyptic thriller. In the lead role, Michael Shannon is remarkable. His quietly commanding performance is one of the highlights of the year and it's fascinating watching this gentle character battle his inner demons.

8) Midnight in Paris

With its commentary on the folly of nostalgia and the assumption that everything was a whole lot better "back in the day", Woody Allen has crafted a welcome escape from blockbusters and franchise sequels. Guided by Owen Wilson in the lead, the film takes a delightful, whimsical tour of Paris in the present day and the 1920s, where it once seemed as though only intellectuals and artists roamed the streets.

What are your favourite films of 2011?

Movie Review: The Artist

The Artist (2011)
Written & Directed By: Michel Hazanavicius
Starring: Jean Dujardin, Berenice Bejo, James Cromwell and John Goodman

The Artist is this years most unlikely Oscar contender -- a black and white silent film with two unknown foreign actors in the leads.

The film often relies on parody in order to pay appropriate homage to the era of silent movies; however, it never comes off as disingenuous. It re-introduces techniques of the past, from printed titles to relay dialogue to the audience to an overly enthusiastic musical score. With a plot reminiscent of both Sunset Blvd. (1950) and Singin' in the Rain (1952), The Artist is an engaging and light-hearted film that is so likeable that it can easily appeal an audience raised on technology and CGI special effects.

The Jazz Singer (1927) was the first "talkie", instantly changing the world of cinema. With it came great upheaval in Hollywood -- audiences demanded to hear the actors they had come to adore, while certain actors struggled with the transition to the point where it broke their careers. The Artist is set in 1927, just as the major changes are starting to take shape in the old studio system in Hollywood. French actor George Valentin (Jean Dujardin) has legions of fans who worship his heroic incarnations on the silver screen. With his natural charisma and knack for expressing himself non-verbally, George initially brushes off the breakthrough of sound in cinema as a temporary fad, something that will disappear as quickly as it came about. What George fails to recognize is that "talkies" are ushering in a new age of film and that actors like himself were on a steady decline. When he falls in love with a beautiful dancer and background actress named Peppy Miller (Argentinian actress Berenice Bejo) it slowly dawns on George that Hollywood is now looking for more actors like Peppy -- charismatic stars who were made to be seen and heard. As Peppy is catapulted into stardom, George is left in the dust, a cruel aspect of Hollywood that remains relevant to this very day.

Jean Dujardin as George Valentin

As a man who refuses to acknowledge that his world is changing, Dujardin gives one of the best performances of 2011. He amply demonstrates that emotional expression and actions can speak louder than words -- with a face straight out of the silent era of Hollywood, Dujardin both looks and feels the part of a rapidly declining star. The role is undeniably challenging -- without any dialogue to work with Dujardin is left to over-emote in order to make up for his lack of ability to express himself verbally. However, his actions are never hammy and always feel genuine. He evokes the pathos common with silent film greats like Charlie Chaplin, and he never misses a beat. Dujardin more than succeeds in his role as George Valentin, giving a nuanced performance that it both comic and touching.

Bejo is an equally great find as Pepper Miller. With a smile that could light up a room and spades of talent, Bejo is luminous is a role that nearly jumps off the screen.

The Artist is a vibrant and richly textualized film. Although the idea may not be new and some may argue that the premise itself if a bit of a gimmick, it's an undeniable crowed-pleaser and a beautiful one at that. Director Michel Hazanavicius recreates the world of classic Hollywood and his attention to detail is remarkable. He instils the perfect amount of dark reality and whimsy in the lives of George and Peppy and, as director, he makes some wonderful visual choices (none of which I will reveal here so as not to spoil the fun). Stylistically, the film is flawless. Composer Ludovic Bource creates the perfect musical accompaniment, at times both rousingly cheerful and tragically mournful. Silent films often relied on the emotion of its scores to sway audience feelings and opinion and The Artist makes powerful use of its own score in the same manner.

A heartfelt and beautiful film, The Artist is, above all, a love letter to cinema past.

FINAL GRADE: A