I thought it'd be fun to write about some of my favourite horror films in the days leading up to Halloween.
Third on my list ...The Exorcist (1973).
Directed By: William Friedkin
Based on the Novel By: William Peter BlattyStarring: Ellen Burstyn, Max von Sydow and Linda Blair
Often credited as the scariest movie of all time, The Exorcist manages to remain just as terrifying as it was when it was first released. Considering most horror films don't necessarily age well, The Exorcist still manages to pull in new generations of fans who find it legitimately unsettling.
Why I Love It: The story of the demonic possession of 12-year-old Regan MacNeil (Linda Blair) may have too slow of a plot build for some audiences (it takes nearly 45 minutes for the film to truly get underway); however, it sets up the relationship between young Regan and her mother (Ellen Burstyn) as a loving one that will face the ultimate test when Regan is brutally taken over by an unseen demon. With its viscerally shocking scenes of possession and religious confrontations, The Exorcist ingrained itself into popular culture from the moment of its initial release.
The films is stylishly atmospheric and contains some of the most memorable scenes in not only the horror genre, but in film overall -- the most iconic being the shot of Father Merrin (Max von Sydow) silently emerging from a taxi to stand in the night, surrounded in mist, in front of the MacNeil house as he mentally prepares to face-off with the demon inhabiting Regan. The demon causes the once-polite girl to swear, spit, vomit and growl in a horrifyingly inhuman voice -- the moments when Regan is able to come through and ask for help before being taken over once again are unsettling in their portrayal of a young girl completely vulnerable to a terrifying supernatural situation.
It's the religious and spiritual themes that make the movie more than just your average horror film. Villains like Freddy Krueger or Michael Myers is one thing; the notion of an evil spirit inhabiting the body of a good and innocent girl is something entirely different. The words coming out in the demon's voice and the physical actions it forces Regan to take are all the more jarring because she's still a young child. While some (audiences and critics alike) have accused the film of religious exploitation over the years, The Exorcist remains a powerful horror film with jarring imagery of demonic possession while delving into such issues as a crisis of faith.
Combined with Jack Nitzsche's chilling score and some of the most iconic scenes in film, The Exoricst was controversial when it was first released and it raised the bar for the horror genre. Few have been able to match its power to unsettle and terrify.
Favourite Scene:
Here's a pretty good video of the five scariest scenes from the film. Embedding wasn't allowed, but you can VIEW IT HERE.
THE LAST PICTURE SHOW (1971)
DIRECTED BY: Peter Bogdanovich
STARRING: Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Cloris Leachman, Ben Johnson and Ellen Burstyn
"I guess if it wasn't for Sam, I'd have missed it, whatever it is. I'd have been one of them amity types that thinks that playin' bridge is about the best thing that life has to offer."
~Lois Farrow (Ellen Burstyn)~
There are few towns in the world that are smaller than Anarene, Texas. Set in 1952, a time of gender inequality and sexual repression, The Last Picture Show revolves around the growing pains of high school football captain, Sonny Crawford (Timothy Bottoms). Sonny is attracted to Jacy Farrow (Cybill Shepherd, in her film debut), the girlfriend of his best friend, Duane Jackson (Jeff Bridges). Though unsuccessful in most of his relationships, Sonny strikes up a spontaneous affair with the lonely wife of his football coach, Ruth Popper (Cloris Leachman). This slice-of-life film is based on the novel by Pulitzer Prize winning author, Larry McMurty, and it traces Sonny's tumultuous relationships with all of these different characters during a few short months in the town of Anarene.
As a fan of Larry McMurtry (his Lonesome Dove being one of the greatest novels ever written), I'd been curious about this film for a few years now, however, I never got the chance to see it until recently. McMurtry, who also co-wrote the screenplay with Bogdanovich, has the ability to create wonderfully flawed human beings who lead regular, if not outright boring, lives. The things that happen to his characters are situations that could happen to anyone. McMurtry does not shy away from the prospect of his audience disliking some, if not all, of his characters at some point in the course of his novels. It's part of what makes his storytelling so compelling. The Last Picture Show is no different.
The decision to film it in black and white only serves to amplify the bleak and melancholy atmosphere that hangs over the action onscreen. The Last Picture Show is a frank look at sexuality in a small town where everyone knows each other's business.
The performances are all subtle, understated and add to the unique qualities of its characters. As Sonny, Timothy Bottoms never fails to gain the viewers sympathy, despite his mistakes, as he moves from relationship to relationship as each one breaks down. Little is known about Sonny's past or his family life, yet Bottom manages to portray Sonny as both a confused, listless teenager and a young man slowly coming to terms with what he wants from life. It's easy to understand why he would be drawn to Ruth Popper, a woman who is more than twenty years older, yet just as lonely and longing for companionship. It's not so much sexual chemistry they share, but a mutual sadness and desire for something more than their little town can offer.
As Ruth, the unhappy wife of the town's football coach, Cloris Leachman is the standout in an already stellar cast. The winner of Best Supporting Actress for her performance, Leachman instills Ruth with the range of mixed emotions a woman in her situation would feel. She never goes over the top and gives a beautifully realized performance of a woman looking for a human connection.
Jeff Bridges, Cybill Shepherd and Ellen Burstyn are also at the top of their game, although Ben Johnson, like Leachman, is a standout in a strong cast. The winner of Best Supporting Actor for his performance, Johnson plays Sam the Lion; Anarene's longtime resident and its heart and soul. When he gives his climactic speech to Sonny about the love he lost in his youth, you can't help but realize that he represents (and carries) the melancholy and regret of the entire town.
The films trajectory is interesting as it matures at the same point that Sonny does. The first half is all hormonal teenage angst, before gradually gaining an almost resigned adult air. The film moves past the sexual content leaving its rash teenage notions aside for its more adult consequences.
This bleak coming-of-age film is also a love letter to film, in general. The title refers to the small town's rapidly declining interest in film. Sam the Lion runs the Royal, the only theatre in town. However, with the advent of the television, the people of Anarene scarcely attend the Royal anymore; they have better things they could be watching in the comfort of their own home. With little profits, the theatre cannot survive. The last picture show screened at the Royal is Tom Ford's 1948 classic, Red River, with its climactic scene of hollering cowboys who are leaving town for a cattle run. Like the cowboys in the film, Sonny and Duane are moving on.
Though not a perfect film, The Last Picture Show has characters and an overall effect that lingers. Like many of McMurtry's novels, you find yourself drawn into this strange little world of quirky, isolated people without fully understanding why: you just know that you want to learn more about the people and their story.
FINAL GRADE: A
