Movie Review: My Week with Marilyn

Williams and Redmayne as Marilyn and Colin

My Week with Marilyn (2011)
Based on the Memoir By: Colin Clark
Directed By: Simon Curtis
Starring: Michelle Williams, Eddie Redmayne, Kenneth Branagh, Julia Ormond and Judi Dench

There are certain stars from a bygone era of Hollywood that are difficult to interpret on the silver screen. Imagine actually finding someone who could successfully portray Marlon Brando, Elizabeth Taylor or Paul Newman? Marilyn Monroe was once put into this category -- few dared to try and portray her in a film until now. Some celebrities are just too big and any attempt to give a genuine glimpse at the star will likely come off as little more than imitation. My Week with Marilyn succeeds with some aspects of Monroe's personality, but disappointingly not in other areas.

Based on the 1995 publication of the personal diary of British documentary filmmaker, Colin Clark, My Week with Marilyn focuses on how a 23-year-old Colin (Eddie Redmayne) became the third assistant director to Sir Laurence Olivier (Kenneth Branagh) during the tumultuous production of the 1957 film, The Prince and the Showgirl. A dream job for a film buff like Colin, he recognizes his upcoming opportunity to meet Marilyn Monroe (Michelle Williams) in person will be a dream come true. What he didn't anticipate was the friendship that would blossom between them over a brief period.

The script by Adrian Hodges leaves enough room for Williams to shine, but any chance she had at truly running away with the picture was diminished by the fact that the film frustratingly centres on Colin -- a man who claims to have shared moments of genuine love with the megastar. It's a shame too because Williams will likely prove some naysayers wrong (myself included) who thought she was woefully miscast as the blond bombshell. Although there are moments when Williams stumbles in her performance (she's never entirely convincing as Marilyn, which is disappointing), she does have a couple of lovely, subdued moments -- less silly, flirty Marilyn and more vulnerable Marilyn with tears of disappointment in her eyes.

These glimpses that we do get of Marilyn (albeit through the eyes of the lovesick Colin) is of a beautiful and sad woman who seems in over her head -- things we already knew about Monroe. This inability to bring anything new to the table nearly topples the film in the first half when most of the attention remains focused on the dull Colin.

Williams as Monroe

The underutilized secondary characters who share scenes on the set of The Prince and the Showgirl is a disappointing misuse of its cast. Halfway through the film it's easy to forget Judi Dench was in the picture as Dame Sybil Thorndike and audiences are expected to care that Colin has slighted some nice costume girl named Lucy (Emma Watson) who really, really liked him until Marilyn came along. Julia Ormond, a lovely actress, is, alas, no Vivien Leigh.

That being said, there's an interesting film buried underneath it all -- and this is where My Week with Marilyn improves. There's an early scene that shows what this movie could have been when a script read-through briefly touches on the changing norms in Hollywood during the 1950s in terms of acting technique. Olivier, a legend of the stage, is dumbfounded by the fact that Monroe needs her acting coach Paula Strasberg to work her through the art of a "Method" performance. He struggles to understand why Marilyn can't simply "play pretend" like other actors of his generation. In the same scene, Marilyn stares admiringly at Olivier as he reads through his portion of the script, suggesting she is uncomfortable in her own skin when it comes to acting alongside the longtime pros she respects, like Sir Laurence. Perhaps the film would have benefited more had it actually been about the making of The Prince and the Showgirl and the clashes between Marilyn and Olivier. Both were incredibly insecure actors at the time -- he, because of the changing art of performance on film and her, because she struggled to be taken seriously as an actress on an almost daily basis. Showcasing the incompatibility of these two actors would have allowed Williams and Branagh to really let their talents loose -- both of them had their finest moments in the film occur when they were together.

But, the focus is on the time Colin spent with Marilyn. Oddly enough, what allegedly happened between Colin and Marilyn fails to live up to Colin's over-dramatic narration at the beginning and end of the film. While Colin waxes poetic about how he "understood" Marilyn and how they shared this glorious bond, you realize there was actually very little that was real between them -- only a handful of flirtatious laughs and a couple of spooning sessions after some sight-seeing tours around London.

A woman often defined by her sexuality or the men in her lives, it does her legacy a great disservice to have her relegated somewhat to the background. All those burning questions you may have had about what Marilyn was like when she was away from the cameras still remain largely unanswered in the film.

The film amounts to little more than a lopsided venture that struggles to put both Colin and Marilyn front and centre. The plodding pace (especially in the middle of the film) and heavy-handed direction diminish whatever excitement the film was able to build in certain scenes. More frustrating than enjoyable, the real standouts are Williams and, especially, Branagh -- another instance of a couple of performances being better than the overall finished product. If only the film had been about Marilyn Monroe and Sir Laurence Olivier and a behind-the-scenes glimpse of the making of The Prince and the Showgirl. Marilyn deserved a better picture.

FINAL GRADE: C+

Movie Review: Thor

Loki (Tom Hiddleston) and Thor (Chris Hemsworth).

THOR (2011)
Directed By: Kenneth Branagh
Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgard, Colm Feore and Anthony Hopkins

Thor is the god of thunder and, for those uninitiated (like myself) in the adventures of this lesser-known Marvel comics hero, this Norse deity apparently has a huge cult following. Wielding a powerful hammer called Mjlonir (which, oddly enough, resembles a giant meat tenderizer), Thor, as a character, is a balanced mix of hot-headed temper, arrogance and brooding charm, which are all "must have" qualities when it comes to Marvel action heroes.

Thor takes the age-old tale of sibling rivalry and ups the ante. Thor (Aussie newcomer, Chris Hemsworth) and Loki (Tom Hiddleston) live in a kingdom in the sky called Asgard, where they have been raised by their father, King Odin (Anthony Hopkins) and mother, Frigga (Rene Russo, who has apparently returned to acting after a long absence). The relationship between the seemingly close brothers begins to fray when Odin proclaims Thor as his heir. When the coronation ceremony is interrupted by the Frost Giants, led by the red-eyed Laufey (Colm Feore, buried beneath layers of make-up), Thor goes against his father's wishes and leads his band of loyal friends in avenging the attack. Odin is outraged at Thor's rash actions and banishes his son from Asgard. Thor is ultimately reduced to nothing -- his power gone, his beloved hammer, Mjlonir, missing -- and is left to fend for himself on Earth, a planet he is unfamiliar with. He accidentally meets up with a group of skywatching scientists: cosmologist Jane Foster (Natalie Portman), Swedish scientist Dr. Erik Selvig (Stellan Skarsgard) and their student intern, Darcy (Kat Dennings). They struggle to come to terms with what Thor is, while trying to help him return to Asgard and prevent Loki from taking over the throne.

Thor (Chris Hemsworth) and Jane (Natalie Portman).

Despite the fact that there are six screenwriters credited (usually a bad sign), Thor is, surprisingly, a structured, cohesive narrative -- a rarity for films of this genre. With a running time of less than two hours, it manages to give you all the background information you need on Thor and his supernatural family, while spending just the right amount of time on Earth as he gets to know his new human companions. If there is one complaint, it'd be the lack of more interaction between Thor and his brother, Loki, before the former is banished to Earth. It would have made their eventual fall-out all the more poignant.

Under the steady and assured direction of Shakespearean vet Kenneth Branagh, Thor has a great international cast to rely on -- from Australia, England, United States, Sweden and Canada.

As Thor, Hemsworth has the same roguish charm as Harrison Ford or, more recently, Chris Pine in Star Trek (2009). With great comic timing and the ability to cry on cue, Hemsworth proves he's more than just a pretty face. Thor has given him a promising start to a career in Hollywood. The rest of the cast rallies around him, each giving a performance that is more than a comic book adaptation usually deserves. As the trio of scientists, Portman, Skarsgard and Dennings are all talented actors who make the most of their supporting (and underwritten) roles. Their camaraderie and chemistry with one another makes up for their odd little trio. Hopkins is perfect as King Odin -- a measured mix of menace and fatherly affection. Hiddleston is excellent as the scheming and mischievous Loki, a reluctant villain made to turn to the dark side by unfortunate life circumstances and devastating revelations about his past.

Thor is that rare summer blockbuster that is genuinely enjoyable both for its entertaining story and solid cast -- it brings to mind the recent Star Trek reboot. If Thor is any indication, this years crop of summer films are off to a promising start.

FINAL GRADE: B+