Day 22: MOST EMOTIONAL FILM SCENE
I'm a sap when it comes to movies that pack an emotional punch. I can cry with the best of them and dozens of films have made cry (and continue to make me cry) over the years.
There's brave William Wallace (Mel Gibson) yelling for Scotland's "Freedom!" in Braveheart. There's Ray Kinsella (Kevin Costner) asking his father's ghost if he wants to play a final game of catch in Field of Dreams. There's the scene in Forrest Gump where Forrest (Tom Hanks) speaks to his beloved Jenny at her final resting place. Most recently there was the heartbreaking, yet understated, scene where George (Colin Firth) receives the news that his partner was killed in a car accident in A Single Man.
My runner-up was the final film montage scene of big-screen kisses in Cinema Paradiso. That beautiful scene, combined with Ennio Morricone's stunning "Love Theme", kills me every single time. I saw it for the first time during Italian class in the eighth grade and I bawled in the classroom. But, in the end, it was a different Italian film that has the most emotional scene.
While all of those scenes still make me cry each and every time I watch the movies, there's one that really stands out -- Vittorio de Seca's 1948 classic, Bicycle Thieves (Ladri di biciclette). This Italian neo-realist classic tells the simple story of Antonio Ricci (Lamberto Maggiorani) and his son, Bruno (Enzo Staiola) as they try to track down the men who stole Antonio's bicycle in postwar Rome. Antonio's job is to plaster the city with posters but, when thieves ride off with his bicycle, his only mode of transportation, his entire livelihood is at stake.
Neither Maggiorani nor young Staiola were actors when they were hired in their lead roles -- it was all in keeping with the neo-realist atmosphere of the film. De Seca insisted on using real people to accurately portray the characters in his film. Although both Maggiorani and Staiola went on to make more films for Italian cinema, the fact that this was their first role is a remarkable feat. Both of them were absolute naturals in front of the camera, which made the film so effective.
The most emotional scene, by far, is the final frame. Antonio, a solitary man who loves his family and feels like a failure if he can't put food on the table, is forced to commit a final desperate act -- steal someone else's bicycle so that he can go back to work. Bruno is shocked at what his father has done, but he doesn't have time to say anything before his father is engulfed by an angry mob who witnessed his act. Young Bruno flies into the crowd, trying to rescue his father. Eventually, they are let go by the bicycle owner -- but not before Antonio is verbally shamed in front of Bruno ("A fine example you set for your son.").
Antonio silently starts crying -- he was unable to recover his bicycle and will likely remain without a job until he can afford a replacement. He was, in the end, forced to stoop to the level of the men who stole from him. But, it's Antonio's realization that he lost the adoring admiration of his young son that was the real reason he was brought to tears. It's hard to watch such a good man so ashamed of his desperate actions. The pair don't exchange any words, but the visibly shaken Bruno quietly slips his hand into his father's and the two walk off together.
It's an emotionally raw scene, made all the more effective by the fact that it was portrayed by two non-actors. With very little dialogue, it accurately portrays the ruthlessness of others, the quiet desperation so many suffer through and the unconditional love we have for those who are most important to us. And, after spending nearly two hours with Antonio and little Enzo, the final scene is heartbreaking.
Showing posts with label italy. Show all posts
Showing posts with label italy. Show all posts
Friday, April 29, 2011
Tuesday, May 4, 2010
30 Day Movie Meme: Day 1
I found this meme floating around and it looked like an interesting challenge to only make one choice for each topic.
THE 30 DAY MOVIE MEME
Day 1- FAVOURITE FOREIGN FILM
Day 2- A film that is underrated
Day 3- A film that brings you unadulterated happiness
Day 4- A film cliche that you love
Day5- Favourite love story in a film
Day 6- Favourite actor/actress
Day 7- The most surprising plot twist/ending
Day 8- The best opening/closing credits
Day 9- The best soundtrack/score to a film
Day 10- Favourite classic film
Day 11- Favourite black and white film
Day 12- A film that permanently altered your point-of-view
Day 13- A guilty pleasure...
Day 14- A film that you used to love but now hate
Day 15- Favourite film sequel
Day 16- Favourite film character
Day 17- Favourite film quote
Day 18- The best overall cast in a film
Day 19- The most hilarious film you've seen
Day 20- A moving (emotional) scene
Day 21- Favourite film from your favourite actor/actress
Day 22- Favourite Academy Award acceptance speech
Day 23- A character you can relate to the most
Day 24- The best page-to-screen adaptation
Day 25- Favourite film villain
Day 26- Favourite film poster
Day 27- A film you wish you had seen in theatres
Day 28- Favourite film from your favourite director
Day 29- A piece of trivia from your favourite film
Day 30- Your favourite film of all time
Day 1: FAVOURITE FOREIGN FILM
BICYCLE THIEVES/Ladri di biciclette (Italy, 1948)
Written and Directed By: Vittorio De Sica
Starring: Lamberto Maggiorani and Enzo Staiola
THE PLOT:
Antonio Ricci is an unemployed father struggling to provide for his family in post-Second World War Italy. He must support his wife and two young children in a tough economy. Antonio has access to a steady job putting up posters around Rome, so long as he has daily access to a bicycle.
His ragged bicycle is inevitably stolen right from under his nose and Antonio spends the rest of the film with his young son, Bruno, searching the streets for the thief who has stolen the only means with which he has to make money for his poverty-stricken family.
WHY I LOVE IT:
Director De Sica wanted to give the film an authentically raw and gritty quality. Bicycle Thieves is now considered one of the most famous Italian neo-realist films of all time. The entire film was shot on location in Rome and De Sica didn't use any professional actors in the roles. Lamberto Maggiorani, who played Antonio, was a factory worker in the city when he was hired for the lead role.
It's a gorgeous little piece of cinema. Its story is so simple, yet the relationships between the characters, especially Antonio and Bruno as father and son, are so genuine that you immediately care about their struggles. Considering none of the cast were professional actors, the performances are all the more remarkable for it. It's stark black and white images only add to the raw realism of the film. You feel as though you are walking the streets of Rome with this man and his young child, watching their relationship deepen as they essentially search for a needle in a haystack. It also has one of the most emotional final scenes in film history.
THE 30 DAY MOVIE MEME
Day 1- FAVOURITE FOREIGN FILM
Day 2- A film that is underrated
Day 3- A film that brings you unadulterated happiness
Day 4- A film cliche that you love
Day5- Favourite love story in a film
Day 6- Favourite actor/actress
Day 7- The most surprising plot twist/ending
Day 8- The best opening/closing credits
Day 9- The best soundtrack/score to a film
Day 10- Favourite classic film
Day 11- Favourite black and white film
Day 12- A film that permanently altered your point-of-view
Day 13- A guilty pleasure...
Day 14- A film that you used to love but now hate
Day 15- Favourite film sequel
Day 16- Favourite film character
Day 17- Favourite film quote
Day 18- The best overall cast in a film
Day 19- The most hilarious film you've seen
Day 20- A moving (emotional) scene
Day 21- Favourite film from your favourite actor/actress
Day 22- Favourite Academy Award acceptance speech
Day 23- A character you can relate to the most
Day 24- The best page-to-screen adaptation
Day 25- Favourite film villain
Day 26- Favourite film poster
Day 27- A film you wish you had seen in theatres
Day 28- Favourite film from your favourite director
Day 29- A piece of trivia from your favourite film
Day 30- Your favourite film of all time
Day 1: FAVOURITE FOREIGN FILM
BICYCLE THIEVES/Ladri di biciclette (Italy, 1948)
Written and Directed By: Vittorio De Sica
Starring: Lamberto Maggiorani and Enzo Staiola
THE PLOT:
Antonio Ricci is an unemployed father struggling to provide for his family in post-Second World War Italy. He must support his wife and two young children in a tough economy. Antonio has access to a steady job putting up posters around Rome, so long as he has daily access to a bicycle.
His ragged bicycle is inevitably stolen right from under his nose and Antonio spends the rest of the film with his young son, Bruno, searching the streets for the thief who has stolen the only means with which he has to make money for his poverty-stricken family.
WHY I LOVE IT:
Director De Sica wanted to give the film an authentically raw and gritty quality. Bicycle Thieves is now considered one of the most famous Italian neo-realist films of all time. The entire film was shot on location in Rome and De Sica didn't use any professional actors in the roles. Lamberto Maggiorani, who played Antonio, was a factory worker in the city when he was hired for the lead role.
It's a gorgeous little piece of cinema. Its story is so simple, yet the relationships between the characters, especially Antonio and Bruno as father and son, are so genuine that you immediately care about their struggles. Considering none of the cast were professional actors, the performances are all the more remarkable for it. It's stark black and white images only add to the raw realism of the film. You feel as though you are walking the streets of Rome with this man and his young child, watching their relationship deepen as they essentially search for a needle in a haystack. It also has one of the most emotional final scenes in film history.
Subscribe to:
Posts (Atom)



